The eighth essai in a series, following ‘All hats are grey in the dark’. A slightly different version appeared on LiveJournal in May, 2006.
Besides the villainous hero, there are several other ways to make a protagonist so unheroic that you rob him of his power to carry the plot. A frequent flaw is the so-called hero who has no character of his own, but exists as a mouth through which the author can make polemical speeches. John Galt’s 70-page speech in Atlas Shrugged is the most infamous example, but sadly, far from unique. The hero as mouthpiece is a recurring phenomenon in science fiction and fantasy; and this sad phenomenon goes back to the very point at which the earlier forms of satire and romance first contributed their genes to that newfangled form, the novel.
We can find that point in the works of Jonathan Swift.
Mirrored from Bondwine Books.